Photographing Gravestones:
A Few Basic Pointers
by Trina Purcell
The best way to photograph a gravestone is by using
natural light. Ideally, the sun should rake across the front of the stone
at a 30-degree angle. This brings the details of both the epitaph and icon
into strong relief, making them much easier to read and resulting in a beautiful
image. Cloudy days are not conducive to high quality photographs.
The trick is knowing when the sun will fall at the
proper angle. In most New England burying grounds the stones have an East/West
orientation. This means that ideal conditions for photography are between
11:30 and 1:30. It follows that noontime, when the sun is directly overhead,
is not an ideal time. At this point I usually take a break and have some lunch.
The rules for stones that do not have an East/West
orientation are slightly different. According to gravestone photography guru
Dan Farber “Stones that face North are lighted by the sun in late afternoon
in midsummer, and are in shade at all other times of the year. Stones that
face South are in a favorable position all day in mid summer, but are lighted
from the front at all other seasons.”
For stones placed in shady areas another option is
to try working with a mirror to light the stone. Use a tall, unbeveled, framed,
door mirror. Twenty inches by sixty inches is ideal. The mirror can be placed
as much as seventy-five feet away from the stone. Again, place the mirror
so the light rakes across the face of the stone at an angle. I use an old
broomstick handle with a pointed end (which goes in the ground) to brace the
mirror in the right position. Experiment!
I also use a small hand held mirror to help me decipher
worn epitaphs that are difficult to read. You’d be surprised at the difference
it makes!
I use a thirty-five mm camera and have found that 200
speed film works well for me. Position the camera so that the sides of the
stone are parallel with the viewer. In other words, don’t point the camera
down toward the stone from a standing position. This results in a distorted
picture and an inaccurate record. Sometimes, especially with smaller stones,
this means keeling or lying down on the ground to get the camera on the same
level as the stone. Bring an old sheet to lie on.
Sometimes you have to clean the stone of bird dropping,
grass cuttings or mud before taking the photograph. I usually carry a few
soft rags and a spray bottle of water. I never use a brush, because even the
softest brush results in some abrasion to the surface of the stone.
Becoming proficient at gravestone photography is mostly
a matter of experimentation and practice. However, these basic rules really
helped me improve my own photography. Good luck and happy hunting!